• NEW GIRL TALK HOLY SHIT FOR THE WIN

June 19th, 2008 § Leave a Comment

Gregg Gillis is the king of all kings, and the pimp of all pimps.

FEED THE ANIMALS, NOW. in rainbows style pricing applies.

Tha Carter 3 sucks balls right now in comparison.

This is the anthem, get your damn hands up.

Last of all, please thank your connect.

• Mandatory Lil Wayne Post

June 10th, 2008 § Leave a Comment

Yep. That’s the cover. Much much more offensive than the Nas album title.

I was in Virgin Megastore for the air conditioning on my way home today. Standing in front of the new releases rack. This sweaty misshapen middle aged liquor stinking white dude looks at Tha Carter III. He picks it up after muttering something to me which I couldn’t decipher. As he walks away, he yells:

Lil’ Wayne! He’s the lollipop man!

Moments like these wonder if it’s time to leave New York, but I bet this happens everywhere.

• What Could Have Been: Nas’ “In Rainbows” potential

June 10th, 2008 § Leave a Comment


The Original Cover, The One You Won’t See In Stores

So, Gregg Gillis, Mr. Girl Talk himself, has announced that his next release, the 300-plus (up from Night Ripper’s 250) sample party entitled Feed The Animals, is going to be a net-based pay what you want release, much like Radiohead’s In Rainbows, and while that makes sense for him, there’s another artist who I think should be going out there and releasing their music independently: Nas.

Of course the odds of this happening are nil since Mr. Jones just signed that deal with Def Jam which started with Hip Hop Is Dead. I assume he’s got the money in the bank to produce a whole album and videos, etc., but I may be wrong there. On the I-Just-Heard tip, though, Nas and Green Lantern just dropped the mixtape The Nigger Tape.

With statements like

“This record is about how the older generation looks down on us. … There’s a crew of older black people, [they're] on their way out and we’re on our way up,” Nas said. “It looks like hip-hop n—as is about to make that Oprah money, and that’s scary to them.”
MTV Interview

you’d think that this would also be the prime opportunity to make a statement by doing things differently. Some grass-roots promotion, while still making bank. An artist like Nas doesn’t have to send promo copies, he could get reviews through listening parties to avoid as quick a leak as most artists would have to endure.

Further, I see three distinct advantages to a self release:

1) he could have had the freedom to call it whatever he wanted, and make it a true artistic statement record and not be tainted by Wal-Mart not wanting to sell anything controversial and Al Sharpton being so tight-assed.

2) this could have been that major career moment that he seems to keep striving for yet never quite pulling off, partially in thanks to the free press that he’d be getting for it, more than he even already is.

3) Not only could he do an online release, but the physical level sales could be done in any number of ways, from selective record stores getting Exclusives to guys who sell mix tapes on the street. This could be reverse psychology marketing, make it harder to get to drive up the demand. And hell, if Nas could afford it, he could have released a full studio quality album for free online with the purpose of getting it to as many people as possible, getting his message out there big time.

Luckily for us, though, despite the fact that this will not be happening I think the album will be able to stand on it’s own.

• New Nas Video “Be A Nigger Too”

June 9th, 2008 § Leave a Comment

Nas, getting his 25th Hour* on, in the new video for the song “Be A Nigger Too,” off of his self-titled release NaS, formerly known as Nigga, which was originally to be titled Nigger.

Who makes teaser posters for music videos?

The same people who put effort and thought into music videos.

And when did it start that the internet became the place you’d find the best videos first?

Celeb cameos: Larry Gilliard Jr. AKA D’Angelo Barksdale, Andre Royo AKA “Bubbles”, John Cho AKA Harold Lee, Gbenga Akinnagbe AKA Chris Partlow, and James Kyson Lee AKA Ando from Heroes.

* Fuck Dirty Harry, Spike Lee is right, Eastwood’s head is up his ass.

• RIP Camu Tao

May 25th, 2008 § 2 Comments

According to El-P, we’ve lost another great rapper.

Someone’s said this before, but why does Vanilla Ice get to live? What, is he like Michael from LOST, bound by fate to stay alive to redeem himself at some point? Sorry, I had to make a joke. That’s how I do.

• Three The Fast Way Monday

May 5th, 2008 § Leave a Comment


The Beast

This is Two Boots Pizza’s Bayou Beast Pizza. That’s BBQ Shrimp, Crawfish, Andouille, and a very very generous dousing of Jalapeños. This is the Greatest Least-New-York Pizza Ever. I mean it’s made in New York City, but at first sight, it’s not of the city that’s so prideful of the tomato and cheese lathered disc. Except that it’s true NY in it’s throw everything great onto one surface and hope it’s the sum of it’s greatness and not overweighed by the grease on top mentality, which is what they sell paper towels in those smaller sectioned off pieces for. The grease in that metaphor? New Jersey/Staten Island/Dane Cook fans.

Speaking of Staten Island Grease …

So I went to see Atmophere live in concert at Webster Hall a week before Sunday. What we’re seeing here is what I like to call the destruction of the indie rap show by 13 year old smarmy ass kids. I first saw this at the Little Brother/Brother Ali show. The kid in the center, whose bloody bruise all over his forehead made him a trailer trash Harry Potter, got kicked out of the venue after getting caught smoking a blunt. The girl on his right was almost kicked out with him – she came in with him, I’m pretty sure so why wouldn’t she leave with him? – but about an hour later she was at the front of the show making out with some other ugly disease ridden schmuck. The lesson to be taught to you concert goers reading this: don’t make out with strangers you’ve met at a concert, you don’t know who they came in the door with.


In the category of Least Importance, I’m really annoyed that Last.fm has this horrible tendency to group all of the songs played by the same artist under the most famous white person/band related. I listen to a few tracks off of HNIC 2 by Prodigy of Mobb Deep, and it thinks I’m still rocking to the dbags who gave us Firestarter or Smack My Bitch Up.

• Atmosphere Paint them Blues Gold

April 22nd, 2008 § Leave a Comment


Last Summer, Slug @ Rock The Bells, Randall’s Island

I met Slug one day in Tennessee, at the autograph table at Bonnaroo. I was getting a Bonnaroo map autographed for my friend who was back home in Daley’s beloved Twin Cities. From the brief moment I was in contact with him, I discerned a couple of things which are relevant when talking about Atmosphere’s latest record, When Life Gives You Lemons, You Paint That Shit Gold, which comes out tomorrow, but has been on sale for a brief minute at the finer indie hip hop stores.

The first is that he’s incredibly personable. Helping him out with this was the fact the line of people waiting for autographs was the mellowest I’d seen, so fans had a second to say what they had to say. Every other autograph table I’ve been to was a variant on that scene from The Christmas Story when Ralphie is on line to talk to Santa. You’re more apt to hear “NEXT!” than anything personal. A recent issue of XLR8R magazine had an interview with Atmosphere where he explains a method of writing lyrics similar to (final movie reference, I promise) that scene in Wonder Boys where Michael Douglas and Robert Downey Jr. are sitting in the bar drumming up backgrounds for random barflies.

It turns out that about 80% of the songs on the album are based off of people Slug saw from a bench next to a Minneapolis intersection (whose location was unspecified, but outside of the place he grabbed his morning coffee). For an artist who’s been so damn introspective you think he might get lost inside his own carotid artery, it’s nice that he can extricate himself, at least on the most outer level, as each of the songs finds Slug’s sympathies with these commuters explored in one way or another. The second single, “Guarantees,” finds Slug’s voice partnered with a riffing guitar as he unfurls a Sobotka-esque tale of the fall of a middle class family, something he has not only seen at the stop light, but something he lived in his broken household as a kid. The song back and forths it’s way between being subdued and teetering on the verge of furious.

The second thing I remember about seeing Atmosphere in Tennessee is from the performance, some fans from Minneapolis who had a giant cardboard sign that said, well, MINNEAPOLIS, and it also had the highway names and distances and such. This adulation showed me that there are a fair bunch of Minnesnowtans really do believe that Daley represents them. And for a rapper who takes pride in his region, there’s not much more to ask.

Except of course that they make a good album. Some bullet points – hey, the lazy man’s paragraphs! – about the album:

- “In Her Music Box” is a really oddly named song. I like the song, but wish I could talk about it without saying the title.

- Some don’t like the new “singing” that Slug does on the album. I’m not one of them. It works for me. Maybe because I heard “Sunshine” back in the summer, when they closed their set at Rock The Bells with it. Further: I think “Sunshine” might have been an album quality track, not just an EP song.

- The Bonus DVD is basically 45 minutes from a concert, so it’s well worth the extra clams to get the deluxe edition.

- Tunde of TVOTR’s cameo on “Your Glasshouse” is so similar to the rest of his vocals that it’s surprising to hear him on an Atmosphere record. At the same time, it’s great to hear him doing his thing. I mean, the guy has a voice. For an example from another song with the word ‘house’ in it, see “Playhouses,” from Return To Cookie Mountain.

- The other cameos that rock critics will be all over and probably getting a lot of them to listen if they weren’t up on Atmosphere, is Tom Waits beatboxing on “The Waitress.” The beatboxing is the backbeat for the song, and it’s subtle enough to miss the first time but once you know it’s there, it’s damn good enough to admire.

Finally, I have to say that this might be Slug and Ant’s “big” record. I’m not sure. I don’t know if they know, but this one has legs to it.

• Atmosphere Leaks, And It’s Pouring Tonight

March 7th, 2008 § Leave a Comment

“Shoulda Known” is the first leaked song off of “When Life Gives You Lemons, You Paint That Shit Gold” the longest titled album that starts with “When” since Fiona Apple filled a cover with words. Only thought of this because now for the first time ever Atmosphere and Fiona are side by side in my currently album-sorted iTunes.

Also, check out the vids that Slug and Ant have posted on YouTube, decent way to spend a few.

Staying home tonight, working on some stuff. It’s raining like crazy out there.

Is Hillary’s real name Curtis?

March 4th, 2008 § Leave a Comment

As I sit here, half an hour or so away from the VT polls closing, I’m remembering 9/11 … /07.

Curtis “50 Cent” Jackson declared that if he sold less than Kanye West when their albums Curtis and Graduation, respectively, dropped on 9/11/07, he’d never make another solo album. Soon thereafter, probably when he saw that ‘Ye was killing him on Amazon in presales, he withdrew the stipulation and started bitching about how his label wasn’t promoting him right or anything.

Remind you of anyone? Personally, I’m thinking about Hillary Clinton (R-NY), who used to put it all on the line with TX and OH, but she’s now talking prolonged battle (Iraq or No Iraq?).

I’m not saying Obama is Kanye, but this is a funny thought to ponder before tonight’s results. And Ye did smack Curtis like a whack-a-mole.

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